Blake, Wm. The Annunciation to the Shepherds Object 2. 1809.
Ye and Ty Dolla $ign took Miami by storm with a rave event to debut their upcoming collaboration. Fans have been eagerly awaiting to hear what the duo has been quietly cooking up, and they were not left disappointed. Not only did Y$ take the stage but a roster of hip-hop greats, making the night nothing short of hype vibes. As Charlie Wilson sings in “Everybody”: “Yeezy’s back.”
Ye delivered lyrics with a range of emotions, from funny, to retrospective, to a straight-up mob boss that no one can fuck with.
“River” sees him sampling the iconic Leon Bridges song, reflecting on what he sees as “too much hate and not enough love” and demanding Larry Hoover and Young Thug be freed.
Then on “Back To Me,” he says, “And I can tell you one thing: beautiful, big titty, butt-naked women just don't fall out the sky, you know?”
And on “Slide,” he tells the music industry exactly how he feels: “The industry don't like me. Tell them pussy niggas likewise.”
Like all Ye projects, his lyrics sent fans through a range of emotions, ensuring an unforgettable night.
Blake, Wm. The Finding of Moses- The Compassion of Pharaoh's Daughter. 1780.
North certainly takes after her father.
The young prodigy, who joined her father on stage, shocked everyone when she dropped bars full of precocious swaggery.
“It’s your bestie. Miss, Miss Westie. Don’t try to test me. It’s gonna get messy. It’s gonna get messy. Just just bless me! Bless me!” she raps on a song featuring James Blake.
Everyone adored the moment, with some speculating a New Artist Of The Year Grammy is on the way.
Blake, Wm. Frontispiece, 'The Christian Triumph.' 1795.
Featured in "Back To Me," Freddie Gibbs brought his lyrical talents with a unique flow, delivering a phenomenal verse. Freddie brought a braggadocious style, comparing himself to Elon Musk: “Just turned a bird bitch to my ex like I was Elon.” Other bars included: “And you know that's facts, you can fact check it / I'm from the crack era / Where niggas run off and work it, don't bring it back era / Standin' at the plate, your ho catchin' balls like a bat catcher.” He brought so much energy and life to the show that fans were asking for way, way more after his verse ended.
Blake, Wm. When The Morning Stars Sang Together. 1805.
Breezy was featured on the track "Beg Forgiveness," showcasing his captivating stage presence and vocal skills.
“You've gone too far / You've gone too far and you should hang your head in shame / For these wounds, I cannot stay, you've gone too far / You've gone too far,” he sings. A heavy-hitting bass line was featured in contrast to Brown’s angelic vocals, as fans danced along to the vibes.
As if the stage couldn’t get any greater, Offset joined. He maintained a chill composure throughout the night, and amid the hype and bounce, fans liked the vibe he brought.
Blake, Wm. The Overthrow of Apollo and the Pagan Gods. 1815.
Bump J and Lil Durk feature on the titular “Vultures” track, and they delivered a live performance as fans sang the lyrics. Lil Durk always brings a vibe, and Bump’s Chicago roots elevate the track to a raw, unfiltered feel that solidifies the Vultures theme.
Blake, Wm. ‘And the Angel Which I Saw Lifted Up His Hand to Heaven.’ 1780.
While Carti was unfortunately unable to make it to the rave, he linked with Ye afterward and took some iconic photos.
He’s featured on the song “Fuck Sumn,” and fans are loving his new style, switching up with his new deep-voice flow instead of his signature “baby voice.”
